Magnum Force (1973 USA)

Just in case the viewer gets carried away, or the protagonists on the screen, Harry earnestly repeats throughout Magnum Force that “a man’s got to know his limitations” and “there’s nothing wrong with shooting, as long as the right people get shot.” So bullets in bare breasts are acceptable, because the topless ladies in a swimming pool or nudes stoned at “$900 an ounce,” reinforce the morality: people who take off their clothes may have been asking for it. There’s also a gratuitous murder of a prostitute, climaxed with a shot of her killer’s face grinning through her spread legs. If that’s not offensive enough, in a dvd extra from the copy I have, shady-looking script writer, John Milius, suggests that Italians are not real Americans. [Read more…]

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Vertigo (1958 USA)

VHitchcock uses a complicated story, interesting characters, lavish visual detail, and deliberate pacing, plus a fine musical score by Bernard Hermann, to produce a mysterious, almost unearthly, atmosphere. The tension rarely lets up, and the viewer is caught up completely in it, at times almost to the point of discomfort. It’s the kind of film that repays careful attention, as almost every moment is filled with significant detail. [Read more…]

Eye Of The Cat (1969 USA)

eye LCSan Francisco is a great setting for any film, especially when it was made in the hippie era. This Hitchcockian (written by Joseph “Psycho” Stefano) horror tale is something of a little gem. A hugely enjoyable romp, coming across as sophisticated and hip, featuring some scary and horrific moments, but also blessed with some wickedly funny black humour. [Read more…]

Dirty Harry (1971 United States)

dirty_harry_contact-0-1080-0-0(This review is dedicated to the man over at https://millenniumdecay.wordpress.com/)  Firstly, what a penetrating musical score by Lalo Schifrin! One of the many great components of this classic movie. This is not fascism, more like realism. Throughout the 1960s violent crime had been spiralling out of control in America and the West, so by 1971 someone had to come up with an accurate portrayal of what the police have to deal with. Dirty Harry was the first film to deal with how supportive the law can be of criminals. [Read more…]

BULLITT (1968 United States)

8767The first lone-wolf cop story plays by the rules of the genre it spawned, featuring a charismatic, outsider type who carries a badge and an attitude directed as much against the egos and hubris of his superiors as against the criminal element. [Read more…]

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