Lady In Cement (1968 USA)

Warning: for the hip-hop/MTV crowd of today – this flick is probably one for you to avoid. It does not contain CGI effects, mindless dance music, jumpy editing, eye-blinding SFX or even a politically correct message thrown in. Good, now that’s out of the way, what do we have here? We’ve got the pride of Italian Americana – ole Blue Eyes himself…we’ve got a Jewish lady with a sumptuous cleavage that puts Raquel Welch to shame… we’ve got very bad 1960s hair days… we’ve even got Hoss Cartwright himself, Dan Blocker… Oh, and we also have the aforementioned Raquel Welch…our basket might be overladen with goodies! Or is it? [Read more…]

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The Lady In The Lake (Raymond Chandler)

Raymond Chandler is not only one of the finest writers in the English language: he’s the gold standard for detective fiction. But sometimes when I read him I wish he could have found a way to break out of the formula and really let his imagination loose—let all the poetry and over-too-soon bit parts fill the page. He seems more interested in everything else than the so-called plot. On the other hand, maybe he hit it just right. The weirdness that is so compelling on the periphery of his writing might fall apart under the harsh light of center stage. Chandler’s passing-glance encounters always have the quality of real, observed life. One of the least fussy writers who ever lived, his descriptions are effortlessly evocative. [Read more…]

The Thin Man (Dashiell Hammett)

bookThis book actually is worth reading a couple of times. Read it the first time for fun, but then reread it to see what you missed seeing the first time around. A former private eye has given up on the detective work after his wife has inherited her father’s businesses, and is running her financial affairs for her. On vacation, they run into his former acquaintances and, of course, a mystery develops which he reluctantly is persuaded to investigate. [Read more…]

THE BIG SLEEP (1946 United States)

big sleep 1The Big Sleep’s greatest strength is its delightfully droll dialogue. This film almost defies plot analysis but it doesn’t really matter. It is enjoyable whether you are watching for the first or fiftieth time. Raymond Chandler’s Philip Marlowe was a frequent sufferer at the hands of cops and hoods and in many ways a loser. Humphrey Bogart’s masculine charisma on the big screen turned him into a winner. [Read more…]

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