Rosemary’s Baby (1968 USA)

This post is dedicated to those who were slaughtered (Sharon Tate & John Lennon) or raped (Samantha Geimer) so Roman Polanski could enjoy a successful movie career, untold wealth and women to satisfy his carnal lusts. The devil certainly looks after his own…

RB was a real landmark that helped keep the genre alive by pushing the occult (something fairly taboo back then, and not fully explored in cinema since the days of the silents) to the fore. Also, the restrained atmospheric horror was extremely influential. It inspired many, but has rarely been bettered. Not as scary as The Exorcist, which is more sick and nasty but Rosemary’s Baby is superior in its intricate plotting, which drives the icicles up the viewer’s spine in a fit of paranoia. Its almost as if an innocent Catholic girl became victim of the real Illuminati. And she has. Oppressive control by shady forces seems all too real in our world. This gives Rosemary’s Baby an authenticity lacking in the usual horror/fantasy genre. [Read more…]

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The Killers (1964 USA)

Hugely influential classic re-telling of Ernest Hemingway’s short story. This flick has inspired many a wannabe. Not really Film Noir as it was made after the genre had passed and is in colour and features no detectives or private eyes. And not even a “film” as it was originally intended as the very first made-for-television movie. With this version also featuring a murder-by-sniper scene, the recent assassination of John F. Kennedy by sniper ensured The Killers was temporarily on unsafe ground. With Ronald Reagan making his last appearance on film before moving into politics, the ’64 version of The Killers has a bit of history. [Read more…]

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