A View To A Kill (1985 United Artists)

All James Bond films are too long as the only segments that the public really wants to see are the women (who sometimes disappoint), the gadgets and the stunts/chases. Please don’t complain about the acting, script, plot development, music, etc… All of these elements are by-the-numbers in all Bond movies. The gist is how serious a particular 007 film takes itself, and if the pretentiousness this time around is overwhelming. In his goodbye performance, Roger Moore manages to remarkably combine all the best elements of his previous Bond movies, and comes up with a perfect way to leave behind Bond and Her Majesty’s Secret Service. [Read more…]

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Live And Let Die (1973 United Artists)

LALDYou’ll have a rucking good time watching a clown in a tuxedo, I mean Britain’s most famous spy, in his 8th adventure. Buttocks will be kicked and maybe even some names taken in vain. Mix in some racial tension and viola! An above average Bond flick. This time it feels smaller scale and slightly less over the top although it has the action comedy tone which would define the Roger Moore era. Ludicrous yet rooted in the real world and centred on a very real issue rather than the usual world domination or diamond lasers. Director Guy Hamilton manages to get the tone just right. This was a stark change to the usual proceedings: Roger Moore’s debut is about voodoo, the supernatural and the majority of the cast are black people.  [Read more…]

Goldfinger ( United Artists 1964)

                     (This post is dedicated to Marina over at https://yipyipstudios.com/)

“Do you exshpect me to talk?” “No, Mr Bond. I expect you to die.” Trust a German actor to have a superior command of the English language than a Scotsman. It goes without saying that Goldfinger is the quintessential 007 film. It’s been spoofed, referenced, praised, and paid homage countless times. Seriously, I’m pretty sure just about every television series that’s existed since the 1960s has made some reference to Goldfinger in some form. No matter what your opinion of the movie, no matter where your 007 tastes run, you absolutely have to respect the third James Bond adventure for what it was: the first 007 film with all of the familiar tropes that will continue through the series until the 2006 reboot. [Read more…]

You Only Live Twice (1967 US/UK)

As I watched “You Only Live Twice,” I developed a nostalgia for many scenes that made the older Bond films work so well. One of the great things about “You Only Live Twice” is that it has the confidence to be quiet. Take Bond’s conversation with Henderson (Charles Gray). Bond walks into Henderson’s home, he asks his contact a few questions, an interesting conversation between the men ensues and then Henderson freezes. Someone threw a knife into his back. “North by Northwest,” also has a man unable to reveal a crucial piece of info because he is suddenly killed. And you know what? Between you, me and the gate post, these scenes never get tired/worn. They are what separates the old world of film from the new. [Read more…]

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