Live And Let Die (1973 United Artists)

LALDYou’ll have a rucking good time watching a clown in a tuxedo, I mean Britain’s most famous spy, in his 8th adventure. Buttocks will be kicked and maybe even some names taken in vain. Mix in some racial tension and viola! An above average Bond flick. This time it feels smaller scale and slightly less over the top although it has the action comedy tone which would define the Roger Moore era. Ludicrous yet rooted in the real world and centred on a very real issue rather than the usual world domination or diamond lasers. Director Guy Hamilton manages to get the tone just right. This was a stark change to the usual proceedings: Roger Moore’s debut is about voodoo, the supernatural and the majority of the cast are black people.  [Read more…]

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LIVE AND LET DIE (Ian Fleming)

a045c6354116a6a3d907c46f16fa055cThe second James Bond novel  established the format in ways that were largely followed in the films also: Bond is briefed by M about an enemy agent (in this case, Mr Big) and sent abroad to break the SMERSH operation. In the course of this New York – Florida – Jamaican adventure, Bond encounters an assortment of villains, henchmen and beautiful women. [Read more…]

DR NO (Britain 1962)

qiiZK2WbtupSSq9TaM57ZtnYH4nIn the beginning was the word and the word was Bond. Here is the genesis of cinematic style over substance. “Dr. No” is incredibly dated but it has a unique, naive quality. There’s no tongue-in-cheek self-awareness here, this is the first glimpse that audiences had of all the different themes that would develop in the series. [Read more…]

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