Downton Abbey ( Britain 2010–who cares?)

Downton Abbey has been a predictably enormous ratings success, taking the viewer-friendly melodrama of the soap operas and adding a bodice-ripper gloss by adding a period setting. Twenty or thirty years ago this series would have been a chippy pseudo-Marxist drama but in the post-modern world we get the Edwardians re-invented by a modern snob (Lord Julian Fellowes is quite a mouthful! ) as perky progressive aristocrats who love their servants as much as their servants love them. Each story is carefully compartmentalized (the only person to ever talk to the chauffeur is the young lady who is in love with him but won’t admit it) and un-named characters essentially don’t exist (during the numerous hospital scenes nobody, bar the protagonists, ever speaks or moves unless interacting with a named character).
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