War Gods Of The Deep (1965 UK/USA)

Also known as City Under The Sea but I prefer the above title. Ah, the good old days of sci-fi/fantasy flicks: watching well dressed men sit around sipping Brandy in a study (walnut panelling of course) while the rocket/ship/sub/plane is carrying them to an amazing destination or fate. Taking its theme from an Edgar Allan Poe poem, with an interesting screenplay by Charles Bennett, this fantasy picture packs thrills, weird monsters, a lively pace and fantastic scenarios–all located undersea obviously. The film also seems to be a scrapbook of ideas from other, better, movies like the Roger Corman Poe films, and The Time Machine.
[Read more…]

Advertisements

Night Of The Living Dead (1968 USA)

Along with “Carnival of Souls” and “Dementia 13” this movie stands out as one of the definitive black-and-white horror films of the bygone drive-in movie era. Night ranks among the scariest horror films, partly for raising the bar on gore. Yet raising the bar far higher has made later horror movies far less scary. By the 1980s, horror movies were gore-splattered freak shows with expensive puppets, and now they’re freak shows with digital characters that seem to belong in video games. “Night of the Living Dead,” by contrast, looks like a very cheap documentary. One that cost a mere one hundred and twelve thousand bucks.
[Read more…]

Domain (James Herbert)

This novel is better in every way than its predecessors and could be read as a stand alone. However, reading all three gives you the ongoing story of the evolution of the Rats and the twists this takes are genuinely shocking. Herbert’s style may be a bit pulpy for some and some of his characters nothing more than stereotypes but like many enjoyable Hollywood films, what it lacks in depth it more than makes up for in high impact thrills. The author has added a little more depth and intrigue to the characters, missing in the first two, this time round.
[Read more…]

Indiana Jones & The Kingdom Of The Crystal Skull (2008 USA)

After a 19 year wait, Indiana Jones came back to the big screen, hamming it up and continuing his search for rare and wild artifacts that could seriously kill ya. Of course, you shouldn’t go into this thinking its going to be as good or better than Raiders or the Last Crusade. I didn’t expect too much and that is exactly what I got. Not too much, but enough to recommend for all fans of the original three to see. Are the first three the best? Of course. Should they have made this fourth one? Probably not. But in the 21st century that’s not a reasonable answer anymore. Its so hard to find new ideas for an action packed extravaganza. [Read more…]

Khartoum (1966 Britain)

This has to be one of the most splendid films ever to come out of Pinewood Studios. Khartoum depicts the last chapter in the remarkable life of Gen. Charles “Chinese” Gordon; another one of those larger-than-life-personages seemingly produced uniquely by Victorian England; such as Sir Richard Francis Burton (1821-1890) or T.E. Lawrence (of Arabia). To that last personage is the best comparison as they were both considered the best commanders of “irregular” forces of their respective times. And like Lawrence of Arabia this film barely scrapes the surface of the man’s life but they couldn’t make it three times longer could they? [Read more…]

The Great Pursuit (Tom Sharpe)

The story of a publisher, Frensic, who convinces an unimaginative would-be author, Peter Piper, to pretend authorship of a wildly successful, pornographic novel. It’s a funny book, though not riotously so. Its plot is devious and twisted, but though there’s sex and a riot and some explosions, it seems restrained compared to other Sharpe books. The story twists and turns its way to a delicious conclusion. The book’s closing sections are hilarious. Heartily recommended to anyone who likes a laugh and enjoys seeing pomposity punctured.
[Read more…]

Craze (1974 Britain)

I’d seen actor Michael Jayston in a couple of things before this and thought he was a good actor. But after seeing his ‘turn’ (as they used to say in our forefathers day) here as a police detective I just thought “what a tosser, they should have got anyone else!” His Detective Sgt Wall character is so thoroughly unlikable and ill mannered that you almost want him to fail to catch the serial killer running amok on his patch. The script for Craze had enough problems before they cast the wrong man in a role the viewer is supposed to sympathize with. [Read more…]

The Wonderful World Of Henry Sugar (Roald Dahl)

Roald Dahl had that galvanic ability to emotionally penetrate the reader, giving his tales a unique intimacy. We feel as if we’ve gone through the experience inside his characters bodies. Even when he’s writing about dark subject matter there is always a sense of wonder. His stories are grounded in a real compassion, whether his target audience are children or adults. This collection of six are for teens and adults, not children. And they are not all fiction! So, without further ado, here is a basic list of what you get for your library card: [Read more…]

Ripping Yarns (1976–1979 Britain)

Ripping Yarns is Michael Palin at his best, delivering a one–man tour de force. This is even better than the Monty Python series, which has dated horribly and contains more misses than hits. But Ripping Yarns is still a spiffing good piece of television, even in this 21st century of ours. My personal favourite is Murder At Moorstones Manor, an Agatha Christie–like plot in an English country manor setting that gradually whittles down its cast at the point of a gun. The brilliant shambles of an ending denies the curious viewer the answer to whodunnit.
[Read more…]

Crooked House (2008 UK)

A BBC Christmas revival of the format that had lain dormant since 1980s US revivals “Creepshow” and “Tales from the Darkside”. Written by actor and writer Mark Gatiss – no slouch when it comes to knowledge of the macabre side of the silver screen as his “History of Horror” documentaries proved – here are 3 tales involving the history of foreboding Geap Manor, relayed by a sinister museum curator (Gatiss) to a schoolteacher (Lee Ingleby). [Read more…]

%d bloggers like this: