The Untouchables (1987 USA)

“Surprise is half the battle, Mr Ness.” “Many things are half the battle…losing is half the battle!” Thank you Netflix for jogging my memory by adding this to your schedule. OK, my boot-licking to the corporate monster over, “The Untouchables” is one the most complete films of the 1980’s and one of the highlights of Brian De Palma’s quirky career. This is an Untouchable classic. It has a great ensemble cast, the 1930’s period re-enactment is excellent, the magical music by Ennio Morricone is top hole. If you didn’t see it because you weren’t born/on drugs/in jail in ’87, you must see it now. And yes, it is pretty corny at times. [Read more…]

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The Blob (1958 USA)

Hardly substantial enough to be a guilty pleasure, let alone a cult film: a giant quivering mound of raspberry (or is it blackcurrant?) jelly chasing – and often catching – fleeing, highly respectable teenagers on a weekend night. From the moment we hear Burt Bacharach’s opening theme song “Beware of the Blob!” we know we’re in for a good, solid, campy light hearted fun. Refreshingly free of any scientific investigation/jargon. I like to watch this stuff for historical reasons: the 50’s cars, teens in high collar shirts and high pants, crime-free suburbia, Polio posters, proper girls, crooked teeth, chess games, super friendly cops… [Read more…]

The Gauntlet (1977 USA)

This motion picture gets a bad rap for it’s implausible story line and outrageous shoot outs, but if you’re in the mood for that sort of thing, it’s a hard one to top. For the sixth time Clint Eastwood does his civic duty as the film’s director and leading man, here sharing the screen with live-in companion Sondra Locke. (This was before a real life drama where he changed the locks on the house they shared when she was away–years after this) The pasty Locke always struck me as a good looking woman, but only if you caught her at just the right angle. [Read more…]

Black Rain (1989 USA)

black-rain-3Made for 30 million bucks back when that sum would get you a seat at the top table. A place where the big machers compare the size of their mother’s mikvahs. This urban noir, photographed by Jan De Bont (director of “Speed”) makes Osaka look like the futuristic city in Ridley Scott’s other film, “Blade Runner.”  Same traffic and congestion of heavily populated streets, steam and people. Through De Bont’s lens the city is dark even during the day. Michael Douglas even dresses like another actor did in “Blade Runner.” [Read more…]

BULLITT (1968 United States)

8767The first lone-wolf cop story plays by the rules of the genre it spawned, featuring a charismatic, outsider type who carries a badge and an attitude directed as much against the egos and hubris of his superiors as against the criminal element. [Read more…]

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