The Dog Of The South (Charles Portis)

This is one of those books that will make you shake your head in wonder at how much contemporary fiction is dull, lifeless trash, just because it’s so subtle and hilarious that to admire its virtues is to bring the flaws of others into sharp contrast by implication. The Dog of the South provides a sprawling panoramic view of a particular strain of American culture, with its mix of simple, uncomplicated religious belief and modern economics that seems to winnow the very life and meaning out of the country.  The prose style is very artful and the character of the doctor is an American type very reminiscent of the traveling hucksters and other marginal types found in Mark Twain’ or in O’ Tooles “Confederacy of Dunces”. [Read more…]

Advertisements

Rosemary’s Baby (1968 USA)

This post is dedicated to those who were slaughtered (Sharon Tate & John Lennon) or raped (Samantha Geimer) so Roman Polanski could enjoy a successful movie career, untold wealth and women to satisfy his carnal lusts. The devil certainly looks after his own…

RB was a real landmark that helped keep the genre alive by pushing the occult (something fairly taboo back then, and not fully explored in cinema since the days of the silents) to the fore. Also, the restrained atmospheric horror was extremely influential. It inspired many, but has rarely been bettered. Not as scary as The Exorcist, which is more sick and nasty but Rosemary’s Baby is superior in its intricate plotting, which drives the icicles up the viewer’s spine in a fit of paranoia. Its almost as if an innocent Catholic girl became victim of the real Illuminati. And she has. Oppressive control by shady forces seems all too real in our world. This gives Rosemary’s Baby an authenticity lacking in the usual horror/fantasy genre. [Read more…]

Shattered (1991 USA)

Wolfgang Petersen directs this suspense thriller with some skill, so most intelligent viewers should be intrigued enough to be seduced by it up till the very end. Even though Shattered has been compared to Alfred Hitchcock movies and the novels of Agatha Christie, it does go a lot further and is far more daring then anything that Agatha Christie or Alfred Hitchcock ever wrote or directed. The reason it seems that so many people are turned off by this motion picture is that it not only went the full nine yards to tell it’s mystery/suspense story with an out of the blue surprise ending, but it goes the entire length of the football field in telling it. [Read more…]

%d bloggers like this: