The River Wild (1994 USA)

A family-friendly feminist reboot of Deliverance. Without the sodomy. Damn…I knew something was missing. Maybe director Curtis Hanson suggested that Meryl Streep give up her booty, Ned Beatty–style. Was she willing to take one for the team? Obviously not. Anyway, from the viewpoint of 2017 The River Wild screams 1994. Here’s an action film with no CGI, with the obligatory Spielbergian “marital problems”, the typical “90s son”, typical “architect father” and yet another “Jerry Goldsmith score.” The River Wild proudly rode a then-new trend: the extreme sports/wilderness action film (Cliffhanger and The Edge). [Read more…]

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Pulp Fiction (1994 USA)

PF is sick slop geared towards video store geeks. Why is this flick so bad? Its like asking why is Barbra Streisand so ugly? She just is. Pulp Fiction, similarly, is a byword for cheap, profane nastiness. Watching this causes your brain to shut off for two and a half hours while a man with a God complex strokes his ego. I can understand to some extent why it is so popular. And as for padding Quentin did achieve something remarkable: every awful stretch of dialogue is dragged out as long as it will last, and then some. It’s as if Tarantino said to himself “I think I can cram two more f words and one more line about milkshakes in here”. [Read more…]

Disclosure (1994 USA)

Plot: A computer specialist is sued for sexual harassment by a former lover-turned boss which threatens his career and personal life. His marriage. His future. It’s all on the line for DigiCom executive Tom Sanders. He rejects the passionate advance of his new boss, leading to him being charged with sexual harassment. Suddenly, long-time company man Tom must scramble for his corporate life – a scramble that will lead him into the dazzling cyberworld of DigiCom’s new virtual reality corridor…and lay bare a shocking conspiracy among key company personnel. Just show us the pictures do I hear ye cry? (Don’t worry, I will) [Read more…]

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