Magnum Force (1973 USA)

Just in case the viewer gets carried away, or the protagonists on the screen, Harry earnestly repeats throughout Magnum Force that “a man’s got to know his limitations” and “there’s nothing wrong with shooting, as long as the right people get shot.” So bullets in bare breasts are acceptable, because the topless ladies in a swimming pool or nudes stoned at “$900 an ounce,” reinforce the morality: people who take off their clothes may have been asking for it. There’s also a gratuitous murder of a prostitute, climaxed with a shot of her killer’s face grinning through her spread legs. If that’s not offensive enough, in a dvd extra from the copy I have, shady-looking script writer, John Milius, suggests that Italians are not real Americans. [Read more…]

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The Hour Of The Oxrun Dead (Charles L Grant)

Those staples of horror–the rundown graveyard, the sinister shape in the fog, the strange noises in the night–they’re all here in spades, but rather than feeling clichéd, the late Charles L. Grant (who wrote under 5 other names as well) has fashioned them into an engaging little novel of 1970s paranoia. And his style is very moody and languid. He makes you wait, and if you enjoy the journey, that seemed to be his goal. Grant was a leading proponent of the quiet horror movement. Other than the odd quirk that might annoy the reader, like his heroine repeatedly fainting, if you like misdirection and mystery this just might be your cup of tea.
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The Price Of Fear (The Ninth Removal)

Night Gallery (1969–1973 USA)

night-gallery-season-2-billboard-rod-serling-600x300After “Twilight Zone” was canceled Rod Serling’s “The Night Gallery” appeared some years later. It was hosted by Rod Serling himself, a bit older than he looked when he hosted “Twilight Zone” as he walked us through an art gallery replete with strange, demonic, often very intimidating artwork. Each work of art told a story which was the focus of each half-hour episode. The series did very well and it was a more intense follow-up to “Twilight Zone”, which suffered from a rather static and preachy talkiness and far more censorship. Because it was the early 70’s, the episodes of Night Gallery were a tad more uncensored and graphic. [Read more…]

Live And Let Die (1973 United Artists)

LALDYou’ll have a rucking good time watching a clown in a tuxedo, I mean Britain’s most famous spy, in his 8th adventure. Buttocks will be kicked and maybe even some names taken in vain. Mix in some racial tension and viola! An above average Bond flick. This time it feels smaller scale and slightly less over the top although it has the action comedy tone which would define the Roger Moore era. Ludicrous yet rooted in the real world and centred on a very real issue rather than the usual world domination or diamond lasers. Director Guy Hamilton manages to get the tone just right. This was a stark change to the usual proceedings: Roger Moore’s debut is about voodoo, the supernatural and the majority of the cast are black people.  [Read more…]

Death Wish (1974 USA)

Few motion pictures have the notoriety of Death Wish: short sharp slabs of repulsive, sadistic violence that linger in the memory along with a theme–if you like the film then you must be an advocate of fascist exploitation cinema, or if you don’t like it then you are a bleeding heart liberal. Critics of the time hated the picture, calling it irresponsible for advocating vigilantism. What the critics of the time failed to see, as the film became a huge commercial success, was that they had the luxury to sit in their comfy secure high rise apartments as the people of the streets lived in fear of stepping outside their homes. At least in large cities like New York. [Read more…]

Pyramids Of Mars (1975 BBC)

It was really Tom Baker who epitomized the eccentricities, sharp-wit and extreme other-worldliness that one would expect from an extra-terrestrial master of  Time and Space who has inexplicably developed a keen interest (and insatiable curiosity) with regards to humanity. And in this story Tom Baker makes perhaps the most striking entrance in the show’s history, standing silently next to the Tardis’ control panel, head bowed, hands in pockets like a Western gunfighter before looking up to later utter the immortal lines: “The Earth isn’t my home, Sarah. I’m a Time Lord…I’m not a human being. I walk in eternity.” [Read more…]

Easy Listening

Endless Night (1972 Britain)

First I reviewed the novel, now the celluloid. The book was a clever literary trick for its time. It is the first person narration of a psychopathic killer who is trying to hide his real nature and intentions from the reader, while actually dropping a series of clues that things are not quite what they seem. It is this trick, rather the banal situation, which is the real reason for reading the book and it is obviously this trick that made Sidney Gilliat want to film it. The problem is that he could not find a way to replicate it on screen, because cinema only really works in the third person and people are generally uncomfortable with movies that tell lies. [Read more…]

Willy Wonka & The Chocolate Factory (1971 USA)

Roald Dahl’s Grimm-like book “Charlie and the Chocolate Factory” gets a careful, pointed musical treatment here, involving five Golden Ticket-winning children who get to tour a mysterious chocolate factory–at their own expense. Turns out the journey is a test of their personalities and upbringings, and while the film is a little presumptuous to suggest that the poorest child may be the most noble and honest (as if all rich kids are rotten). This must be in the top 10 of the most entertaining films of the last 100 years. Few people haven’t seen this. [Read more…]

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