The Price Of Fear (The Ninth Removal)

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Lock Up (1989 USA)

(Living the dream. Sly’s got a new boyfriend and some cat food. Talk about Mr Hollywood!) Frank Leone (Sylvester Stallone) is a saint. Literally. He has to do time in the big house for avenging the brutal beating of an elderly man. And he’ll only break out of prison if there’s a funeral for a loved one, or the old man that he avenged. Then back to his cell he will go like a good ‘un. Heck, when he has any free time he even spends it with his kids. And not even his blonde girlfriend, looking on approvingly, can stop him. Not a racist bone in his body either, but as an Italian stallion, he can see through those racist Anglo-Saxon types. Like warden Drumgoole and his guards, Manly and Wylie. These are the bad dudes. Lock Up isn’t subtle. [Read more…]

The Oblong Box (1969 United Kingdom)

Owing virtually nothing to Edgar Allan Poe other than the title, American International Pictures (AIP) did like to insult the public’s intelligence. The critics of the time did not have much enthusiasm for this flick, which is often surprisingly nasty for that era, but I think this has enough entertainment value for at least one viewing. The director, Gordon Hessler, who replaced Michael Reeves after his untimely death, does a good job of making the film into a reasonably compelling narrative, even if he is a little too fond of extreme close-ups.
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The Man Who Could Cheat Death (1959 United Kingdom)

No, this is not the Cliff Richard story but that could be an alternate title. TMWCCD is from the era when a film could be made for 84,000 pounds, and look expensive. We have here a tale of an eminent doctor, Georges Bonnet (Anton Diffring, who stepped into the role after Peter Cushing backed out) who dabbles in sculpting. Bonnet is maintaining a pretty big secret: he’s actually a lot older than he looks, managing to stay healthy and youthful looking by a scientific process involving removing glands from unwilling donors. The problem is one can see this was developed from a stage work so the viewer has to be patient. Very patient! [Read more…]

Heroes And Villains

More From Eckhart Tolle

The Woman In Black (1989 United Kingdom)

A truly memorable piece of work, once seen never forgotten. Unlike American made horror, the Brits know how to do subtle, relying on the potency of a story full of suggestion and anticipation. And when the great Nigel Kneale is involved with a script the result is usually quality and this is quality. Plus the special effects are few which lulls the viewer into thinking that this film is set in the real world, thus making us a bit more uneasy. No monsters, no blood or violence, no cliches, just terror. You’re constantly thinking: Is she there? Isn’t she? Where is she? What’s that sound? What’s upstairs? Everything’s fine…or is it? Aaah! [Read more…]

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