A View From A Hill (2005 United Kingdom)

In the 1970s the BBC used to include a ghost story, usually by Dickens or M.R. James, in their Christmas schedules. They dropped the habit later on, but this millennium saw them reboot the series again from time to time. Here is one of the better examples. Directed by Luke Watson, this goes back to the series’ roots; the period setting instantly lends itself a quality and timeless feel, meaning it’s very hard to pin point and define exactly when it was made. [Read more…]

Advertisements

The Spanish Moss Murders (Kolchak The Night Stalker episode December 6, 1974)

“Pepe?” inquires Kolchak of a street hustler. “Pepe Schmepe, my real name’s Maurice Shapiro…” comes the reply in a deadpan Bronx accent. Its that kind of earthy banter and bullshit that keeps me returning to this classic TV series. Kolchak bites off quite a wad with this bogeyman covered with Spainish Moss. The X FILES would get inspiration from this episode years later. Here, the Cajun Bogeyman is created by a University of Chicago student who is doing a sleep study to free his mind from childhood nightmares. Once again, Kolchak is trying to figure out the unthinkable. How do you kill the product of someone’s dreams? [Read more…]

The Woman In Black (1989 United Kingdom)

A truly memorable piece of work, once seen never forgotten. Unlike American made horror, the Brits know how to do subtle, relying on the potency of a story full of suggestion and anticipation. And when the great Nigel Kneale is involved with a script the result is usually quality and this is quality. Plus the special effects are few which lulls the viewer into thinking that this film is set in the real world, thus making us a bit more uneasy. No monsters, no blood or violence, no cliches, just terror. You’re constantly thinking: Is she there? Isn’t she? Where is she? What’s that sound? What’s upstairs? Everything’s fine…or is it? Aaah! [Read more…]

Night Gallery (1969–1973 USA)

night-gallery-season-2-billboard-rod-serling-600x300After “Twilight Zone” was canceled Rod Serling’s “The Night Gallery” appeared some years later. It was hosted by Rod Serling himself, a bit older than he looked when he hosted “Twilight Zone” as he walked us through an art gallery replete with strange, demonic, often very intimidating artwork. Each work of art told a story which was the focus of each half-hour episode. The series did very well and it was a more intense follow-up to “Twilight Zone”, which suffered from a rather static and preachy talkiness and far more censorship. Because it was the early 70’s, the episodes of Night Gallery were a tad more uncensored and graphic. [Read more…]

The Strange Case Of Dr Jekyll & Mr Hyde (1968 Canada/USA)

First broadcast on Canadian TV, this is a very strong production, and given that it’s shot on videotape with a period setting mounted on fog-bound studio sets, it all comes off very well indeed thanks to Trevor Williams’ excellent art direction. Horror great Dan Curtis produces here and also shares directing duties with Charles Jarrott. Composer Robert Colbert’s music is properly spooky too, alive with jabs of tense foreboding. But obviously, we’re all here for the mean and mighty Jack Palance, and he is very good as both Jekyll and Hyde. [Read more…]

Bottom (1991–1995 United Kingdom)

Richard “Richie” Richard (Rik Mayall) — a sex-starved, sadistic, physically repugnant loser with delusions of sophistication — takes out his frustrations with life upon Eddie Elizabeth Hitler (Adrian Edmondson): his boozy, slightly more intelligent yet equally perverted and sadistic flatmate. The two of them spend each episode torturing each other with various household objects and I don’t want to know where he got that–type weapons. Thus causing unending chaos to both their surroundings and their neighbours. This classic TV series is definitely very slapstick in style and relies heavily on violence for its main base of humour. [Read more…]

Around The World In 80 Days (USA 1989)

You should know the plot and shame on you if that’s not the case. A 3 part TV miniseries rendition with an all-star cast. There are many cameos and bit parts by so many top actors from back in the day. (Darren McGavin as Mudge was the most pleasing surprise for me) There are some scenes that are not in the book, but they didn’t bother me as they were just as entertaining as the ones that were. Filming on location in Germany, England, Yugoslavia, Macau, and Thailand, adds a lot of grandeur to the series that it otherwise would have lacked. [Read more…]

Thérèse Raquin (1980 BBC)

The picture quality on this DVD has the resolution of a fading VHS tape from 30 years ago, and if this truly is the best restoration that can be made of this 166-minute production, that must be counted as a minor but distinct tragedy…for actress Kate Nelligan is the Thérèse Raquin to end all Thérèse Raquins. Based on the Zola novel, this is the story of a vibrant but trapped young woman, stuck in a loveless marriage to a pampered weakling. Then one day, the husband brings home an old friend–Laurent– and the doors of her soul fly open. [Read more…]

Pyramids Of Mars (1975 BBC)

It was really Tom Baker who epitomized the eccentricities, sharp-wit and extreme other-worldliness that one would expect from an extra-terrestrial master of  Time and Space who has inexplicably developed a keen interest (and insatiable curiosity) with regards to humanity. And in this story Tom Baker makes perhaps the most striking entrance in the show’s history, standing silently next to the Tardis’ control panel, head bowed, hands in pockets like a Western gunfighter before looking up to later utter the immortal lines: “The Earth isn’t my home, Sarah. I’m a Time Lord…I’m not a human being. I walk in eternity.” [Read more…]

Marc Maron: Too Real (Netflix)

He’s still the guy who prefers to sit onstage on the stool in a crouch, only with a more regular smile across his face. The change is most noticeable from one particular camera angle positioned about the third row. It’s also quite visible as Maron enjoys more physical act-outs of his material onstage. At 53, Maron is happier, nimbler, and stronger as a comedian. Not all comedians get better with age and experience. Some lose the hunger. Some lose touch with the audience. Some get sidetracked by other pursuits, personally or professionally. That’s not the case with Maron, who has delivered his best hour of stand-up to date. [Read more…]

%d bloggers like this: