Craze (1974 Britain)

I’d seen actor Michael Jayston in a couple of things before this and thought he was a good actor. But after seeing his ‘turn’ (as they used to say in our forefathers day) here as a police detective I just thought “what a tosser, they should have got anyone else!” His Detective Sgt Wall character is so thoroughly unlikable and ill mannered that you almost want him to fail to catch the serial killer running amok on his patch. The script for Craze had enough problems before they cast the wrong man in a role the viewer is supposed to sympathize with. [Read more…]

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A song about a witch…

The Wonderful World Of Henry Sugar (Roald Dahl)

Roald Dahl had that galvanic ability to emotionally penetrate the reader, giving his tales a unique intimacy. We feel as if we’ve gone through the experience inside his characters bodies. Even when he’s writing about dark subject matter there is always a sense of wonder. His stories are grounded in a real compassion, whether his target audience are children or adults. This collection of six are for teens and adults, not children. And they are not all fiction! So, without further ado, here is a basic list of what you get for your library card: [Read more…]

Ripping Yarns (1976–1979 Britain)

Ripping Yarns is Michael Palin at his best, delivering a one–man tour de force. This is even better than the Monty Python series, which has dated horribly and contains more misses than hits. But Ripping Yarns is still a spiffing good piece of television, even in this 21st century of ours. My personal favourite is Murder At Moorstones Manor, an Agatha Christie–like plot in an English country manor setting that gradually whittles down its cast at the point of a gun. The brilliant shambles of an ending denies the curious viewer the answer to whodunnit.
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Crooked House (2008 UK)

A BBC Christmas revival of the format that had lain dormant since 1980s US revivals “Creepshow” and “Tales from the Darkside”. Written by actor and writer Mark Gatiss – no slouch when it comes to knowledge of the macabre side of the silver screen as his “History of Horror” documentaries proved – here are 3 tales involving the history of foreboding Geap Manor, relayed by a sinister museum curator (Gatiss) to a schoolteacher (Lee Ingleby). [Read more…]

The Eiger Sanction (USA 1975)

A retired assassin, resigned to a life as an art professor and collector, one Jonathan Hemlock (Clint Eastwood) reluctantly agrees to take on the task of one last “sanction” when he learns that the targets are responsible for the death of an old friend. Discovering that one of the killers is among an expedition to climb the Eiger, he must discern the identity of the target and take him out, all whilst scaling the deadliest mountain in all of Europe. He must also show off his physique, know his wines and encounter some mean bitches along the way. In other words, Clint must try to be James Bond–but he doesn’t have that certain je ne sais quoi.
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“They know you ain’t home…”

70’s urban nightmare of paranoia, shadowy agents, surveillance etc. Heavy rythmn guitar phasing clashes with jazzy bass grooves that are almost creepy and surreal. Mick (I like the way he stretches out the word tel e phone) is even rapping before there was rap. Ominous!

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