Dressed To Kill (1980 USA)

Dressed-to-Kill-1I wish Michael Caine had not been cast in this because he is too conventional and limited an actor to portray such an extremely unconventional character. That aside, Brian De Palma’s mash-up of Argento and Hitchcock really made headlines on release. Outraged feminists in the north of England invaded a cinema while it played and threw blood at the screen in protest. That kind of publicity guaranteed more curiosity and meant bigger box office than expected. A master filmmaker manipulated his audience with dark, politically incorrect twists filled with impure thoughts, deeds, guilty pleasures, illicit sex, and its punishing aftermath… [Read more…]

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Soul Sacrifice (Santana)

A low rumble, a metallic swink, a golonk…”

Mad Max (1979 Australia)

Heavily drawn from his observations of the 1973 oil crisis’ effects on Australian motorists and the 1975 film, ‘A Boy with his Dog’, director George Miller, with first-time screenwriter James McCausland, created one of Australia’s best known films: Mad Max. The first of several in the series, this movie tells the story of a dystopian future, where the scarcity of oil has begun to cause the collapse of civilization. Law and order are barely holding on within the towns while the highways are controlled by the outlaw gangs.  Despite popular belief, the film wasn’t a hit in the USA until later. It wasn’t until 1982’s Mad Max 2 (retitled The Road Warrior in America), that Americans started to love the original film. In the meantime, 1981, horror author Stephen King dismissed Mad Max as a “turkey” in his book, Danse Macabre. [Read more…]

The Blood Beast Terror (1968 UK)

A Hammer imitation from Tony Tensor’s Tigon films, only made on a lower budget and with noticeably less enthusiasm, this is actually a lot more entertaining than it really ought to be. The film is obviously made on a lower budget than Hammer had to play around with at the time and this occasionally shows through, particularly in the creature’s costume. However, a fine British cast do the job and veteran director Vernon Sewell puts in a solid if unremarkable job. The script is literate, the locations good and the movie well-filmed. A load of old mothballs this may be, with too much dialogue, but I had low expectations beforehand. [Read more…]

Still The Best Hip Hop song of them all

“I’d be quite prepurred…”

Cards That Keep It Real

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The Dog Of The South (Charles Portis)

This is one of those books that will make you shake your head in wonder at how much contemporary fiction is dull, lifeless trash, just because it’s so subtle and hilarious that to admire its virtues is to bring the flaws of others into sharp contrast by implication. The Dog of the South provides a sprawling panoramic view of a particular strain of American culture, with its mix of simple, uncomplicated religious belief and modern economics that seems to winnow the very life and meaning out of the country.  The prose style is very artful and the character of the doctor is an American type very reminiscent of the traveling hucksters and other marginal types found in Mark Twain’ or in O’ Tooles “Confederacy of Dunces”. [Read more…]

Spectre (2015 United Artists)

The Sam Smith theme tune is s**t, obviously, but the rest of Spectre is quite superior to most other 007 entries in the long and tortuous franchise going back to before most of us were even born. Heck, this may even be my favourite. If you’ve wanted a Bond film that successfully merges Craig’s gritty Casino Royale, with all the old school touches, look no further. Director Sam Mendes tries to create massive story-arcs that span 4 films! Adding to that he attempts to weigh in on Bond’s steely personality, giving him a back-story that almost turns him into Bruce Wayne. (Don’t laugh) In modern parlance, this is some deep s**t. [Read more…]

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