Garfield Gains Weight: His Second Book (Jim Davis)

This series of comic books never get old because every lazy slacker can identify with Garfield. The original newspaper strip debuted on June 19, 1978 in 41 U.S. newspapers. Several months after the launch, the Chicago Sun-Times cancelled the overweight puddy tat. Over 1300 angry readers demanded that Garfield be reinstated. He was, and the rest, as they say, is history. These days, Garfield is read in over 2400 newspapers by 200 million people. America’s number one fat cat has never been knocked off his heavyweight throne. [Read more…]

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Groundhog Day (1993 USA)

I think one of the smartest ideas here is that the setting, pure and simple: it could be anywhere but nowhere important. Of course, it is important for our character to get stuck in the middle of nowhere – then it wouldn’t come as such a curse to spend every day on a nice island or a big city. Here monotomy hits us hard. And here comes the life lesson: people in their 30s & 40s can easily get the metaphor, that ‘every day looks the same’. We work, sleep, eat, …. and what else? Something is missing, right? Maybe words that begin with L and H. [Read more…]

“Wankah!…I know, I know…”

A Classic Recording

“I was fourteen…”

Murder On The Orient Express (2017 USA)

An update on the much revered original of 1974, here is the ultimate luvvie himself, Kenneth bloody Branagh, and he has actually come up with the goods here. Ignore the nay sayers…they declare he’s derailed Agatha Christie’s novel– but I say (and its my blog, so I can) that he’s certainly breathed enough steam into the old locomotive to keep it chugging to its destination: an entertaining and involving cinematic experience. Even Kenny’s much maligned mustache deserves an Oscar for effort. This is facial art without peer. [Read more…]

The Strange Case Of Dr Jekyll & Mr Hyde (1968 Canada/USA)

First broadcast on Canadian TV, this is a very strong production, and given that it’s shot on videotape with a period setting mounted on fog-bound studio sets, it all comes off very well indeed thanks to Trevor Williams’ excellent art direction. Horror great Dan Curtis produces here and also shares directing duties with Charles Jarrott. Composer Robert Colbert’s music is properly spooky too, alive with jabs of tense foreboding. But obviously, we’re all here for the mean and mighty Jack Palance, and he is very good as both Jekyll and Hyde. [Read more…]

The Butterfly Garden (Dot Hutchison)

This is a psychological/mystery/horror thriller – that won’t be to everyone’s liking; due to the subject matter. (And there’s bound to be a big screen version) It starts off with two FBI agents, Victor Hanoverian and Brandon Eddison, interviewing a young woman, Maya/Inara, who was rescued with other girls that were being held captive by a person only known as ‘The Gardener.’ The garden is a New York–set paradise complete with beautiful trees and flowers, streams and ponds, a cliff and a waterfall. But in reality it is a prison, fully enclosed by walls and glass within a larger garden from which there is no escape. [Read more…]

Shattered (1991 USA)

Wolfgang Petersen directs this suspense thriller with some skill, so most intelligent viewers should be intrigued enough to be seduced by it up till the very end. Even though Shattered has been compared to Alfred Hitchcock movies and the novels of Agatha Christie, it does go a lot further and is far more daring then anything that Agatha Christie or Alfred Hitchcock ever wrote or directed. The reason it seems that so many people are turned off by this motion picture is that it not only went the full nine yards to tell it’s mystery/suspense story with an out of the blue surprise ending, but it goes the entire length of the football field in telling it. [Read more…]

Night Watch (1973 Britain)

Ellen Wheeler (Elizabeth Taylor) is stuck in a loveless marriage with John Wheeler (Laurence Harvey). There’s also a deserted mansion right next door to her. One dark and stormy night she sees a dead body in that house. She’s terrified and calls the police. They come but find nothing. Her husband and best friend Sarah (Billie Whitelaw) try to convince her she was seeing things but she’s positive it was there. Soon she can’t sleep or eat and is slowly going mad. The viewer may also be driven mad by the pace of this flick: its slower than a broken clock. And that describes about the first eighty minutes of running time. So be patient.  [Read more…]

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